Eugene de Kock was a paid white political assassin nick-named “Prime Evil” for his crimes against anti-apartheid activists. While serving his two life sentences, black psychologist Pumla Gobodo-Madikizela went to interview him hoping to seek humanity and forgiveness within the government-sanctioned monster. The thought-provoking interogation moves from clinical to intimate in a cell where fear and compassion coexist. Based on true events.
Eugene de Kock
Robert Schorr is a graduate of the Actors Studio Drama School where he received his MFA in Acting. Originally from California, he has a B.A. in Cinema from CSU San Francisco and is an alumnus of the American Academy of Dramatic Arts. Robert made his Michigan debut in the Open Book production of Good People and appeared this summer in the Penny Seats production of The Renaissance Man. While in New York he appeared in productions of The Wild Duck, Three Sisters, Six Degrees of Separation, and The Laramie Project. Robert made his feature film debut in Heroes Don’t Come Home, available on Amazon Prime. He has also appeared in the original web-series Into Girl as Alice’s Dad and Ringer$ as Franklyn. He also appeared as Macy in the SVA short film, Gloaming Almost Invisible. Robert is the father of three wonderful children.
Angela G. King, who holds a journalism degree from Howard University in Washington, D.C., spent nearly 20 years as a full-time news reporter and/or editor before heeding a growing conviction to expand her lifetime passion for storytelling to filmmaking and, eventually, acting. Having studied at the School of the Arts at Kensington Church in Troy, MI, the Michigan Actors Studio, and the Detroit Repertory Theatre, King was cast in her first screen role in the independent feature film, “Bilal’s Stand,” which was an official selection in the 2010 Sundance Film Festival’s NEXT category.
King has since appeared at the Detroit Repertory Theatre in an all-female cast whose rendition of venerated author and playwright Pearl Cleage’s “A Song for Coretta” was voted “Best Play of the Season” by the subscribers to this oldest of Michigan’s professional theaters. She has also been seen there on stage in the late Romulus Linney’s stage adaptation of the Ernest J. Gaines novel, “A Lesson Before Dying;” the morality mystery murder, “Taking Care of Mimi;” and the comedic spin on elder care in a post-Medicare existence, “A Facility for Living.” King later made her debut at Michigan’s largest professional theater, Meadow Brook, in the thought-provoking drama, “Luce,” and has added roles in such independent films as “American Prophet” and “The Messenger’s Box” to her screen credits.
Adriane Galea is the Artistic Director of Outvisible as well as the Executive Director of its parent organization, Center Stage Studios, where she teaches voice, piano, and acting. In the past, Adriane has worked both on and offstage with various theatre companies in the Detroit area and, in addition to her work at Outvisible, was privileged to direct for Open Book Theatre in Trenton and Theatre NOVA in Ann Arbor earlier in the season. Adriane serves on the Board of Directors of the American Guild of Music and An Amazing Woman Foundation, and she is proud to hold Bachelors and Masters degrees from the University of Michigan!
Valerie is excited to be working with Outvisible as the stage manager. Recent credits include the stage manger as Wyandotte Community Theater in Little Shop of Horror and Rocky Horror Picture Show; and also at Downriver Actors Guild for Peter Pan, Princess Diana; the Musical, and Sister Act. She hopes everyone enjoys the show.
To get in touch with us, use the contact form or email: firstname.lastname@example.org.
Where are we located:
18614 Ecorse Road
Allen Park, MI 48101
(Inside of Arts Detroit)
Business inquiries: 313.427.2490
Ticket reservations: 313.355.8340
Outvisible Theatre Company
Calling season sponsors and advertisers!
It is impossible for most arts organizations to exist without the support of their community. At Outvisible, ticket sales only account for fraction of our operating expenses. By becoming a sponsor or advertiser for our 2017-18 season or any show within our season, you will greatly impact our ability to offer high quality programming.